Production begins on Screen NSW’s 2020 Screenability films ahead of premiere at Sydney Film Festival
Creatives Anthea Williams, Adam Bowes, Emily Dash and their teams are busy working on Screenability short films that will premiere at the 67th Sydney Film Festival in June 2020.
Selected under the Screenability Filmmakers Fund from Screen NSW, the shorts Safety Net, Diving In and Groundhog Night, detailing stories of life emergencies, caring for family members, overcoming obstacles and love, are now in production and will be ready for final delivery by March 2020.
Now in its fourth year, the fund is part of a suite of initiatives under Screenability NSW, an open-ended policy commitment by Screen NSW to work with industry to grow participation in the screen sector by Australians with disability.
The three selected short films are each being filmed and post-produced in NSW through the assistance of a $30,000 grant from Screen NSW as well as executive producer support from Lucinda Reynolds from Made Up Stories.
Head of Screen NSW, Grainne Brunsdon said, “Since launching in 2016, the Screenability initiative has supported 16 screen practitioners with disability through internships and the production of the Screenability finalists’ films.
“This year’s successful teams are extremely talented, and Screen NSW is excited to share their unique and sincere stories. We are looking forward to seeing the final productions in March and their world premieres at the Sydney Film Festival in June.”
Lucinda Reynolds, Creative Executive at Made Up Stories, has confirmed that she will work as the Executive Producer on all three shorts. Made Up Stories is a production company committed to producing content with women squarely at the centre of its stories and behind the camera. The company is founded and run by award-winning producer of the HBO limited series Big Little Lies and feature films Wild, Gone Girl and The Nightingale, Bruna Papandrea and Steve Hutensky (producer of The Nightingale, The Dry and Little Monsters), alongside Jodi Matteson (producer of Little Monsters, The Dry and Penguin Bloom).
Lucinda Reynolds said, “I’m really excited by the talent driving these short films. I had a very genuine response to each of the selected scripts and their central characters which offer a strong performance vehicle and authentic insight.”
1 – Diving In. L-R co-director Nina Oyama, producer Jessica Murphy, writer, co-director and lead Adam Bowes. Photo by Dario Hardaker.
2 – Safety Net. L-R director Anthea Williams, writer Julian Larnarch, producer Naomi Just. Photo by Naomi Just.
3 – Groundhog Night. L-R co-director Genevieve Clay-Smith, writer Emily Dash, producer Dianna La Grassa, co-producer Tracey Corbin-Matchett. Photo by Henry Smith.
Eligibility for the fund called for filmmaking teams that had at least one key creative (writer, director or producer) identifying as a person with disability (including people with sensory or physical impairments, including deaf people, hidden impairments, intellectual impairments, learning difficulties or mental health conditions) and with an intention to develop a career in screen content creation.
The 2020 Screen NSW Screenability Filmmakers Fund projects are:
SAFETY NET (10 minutes)
Synopsis: Thirteen-year-old Terry is in emergency care with guardians after his mother’s arrest. Cheeky and living with a disability, he’s able to outwit one guardian while finding exactly the connection he needs from the other.
Company: Mischief Media
Key Creatives: Anthea Williams, Julian Larnach and Naomi Just
Creative Mentor/Producer: TBC Director Mentor for Anthea Williams
Producer: Naomi Just
Writer: Julian Larnach
Director: Anthea Williams
Shooting location/s: Sydney
Mentor: TBC Director Mentor for Anthea Williams
Key Creative Team Summary:
An accomplished award-winning theatre director Anthea is branching out to screen content after undertaking a number of initiatives, including #SheDirects with Create NSW, Developing the Developer at Screen Australia, and Screen Australia’s Talent+ which saw her work at Causeway Films (The Babadook, The Nightingale). She was awarded Best Director of a mainstage Production for Belvoir’s production of Hir in 2017, and in 2018 Best Cabaret for Griffin’s Since All Died at the Sydney Theatre Awards.
A Sydney-based playwright, Julian won the inaugural Emerge: Riverina Playwrights Commission and the commissioned play, Beneath An Oxbow Lake, premiered in Griffith in 2015. His monologue, Something I Prepared Earlier, was produced for the ATYP’s Voices Project and published by Currency Press. His play Flight Paths premiered at National Theatre of Parramatta in 2018 directed by Anthea Williams. In 2017, Julian’s musical Folk Song premiered Outback Theatre for Young People; and In Real Life premiered at Darlinghurst Theatre Company. He was a member of Sydney Theatre Company’s inaugural Emerging Writers Group from 2017-2019. Julian is currently developing several new plays including writing the stage adaptation of an award-winning Australian novel.
A screen professional with over twenty years’ experience in the film and television industries Naomi has produced comedy, drama, documentary, animation and children’s programs. Naomi’s credits include ABC blue chip documentary series The Life Series, the three-time AACTA nominated sitcom Sammy J & Randy In Ricketts Lane, and Ronny Chieng: International Student. Safety Net will be Naomi’s first production under her new mantle Mischief Media.
DIVING IN (8 minutes)
Synopsis: Set in 2007, 20-year-old competitive swimmer and double-above-knee amputee named Alex is madly in love with Jen, a girl who works at the local pool. However, he’s terrified to ask her out. When his friends play a mean prank on him, he is forced to overcome obstacles and conquer his own self-doubt to finally get the girl, or at the very least, ask her on a date.
Company: Jess Murphy Productions
Key Creatives: Adam Bowes, Nina Oyama and Jessica Murphy
Creative Mentor/Producer: Director Craig Anderson for Adam Bowes
Producer: Jessica Murphy
Writer/Co-Director: Adam Bowes
Writer/Co-Director: Nina Oyama
Shooting location/s: Georges River Area, Sydney
Key Creative Team Summary:
Adam was a Co-Director on the NDIS Fails Sketch for Tonightly. Adam also works regularly as an actor – his credits include Hacksaw Ridge, Winchester, Rostered On, and The Angus Project.
Nina was a Co-Director of the NDIS Fails Sketch for Tonightly and Director of The Angus Project Pilot which was nominated for Australian Directors Guild Award. Nina is an award-winning writer, director and comedian. Her writing has been seen on You’re Skitting Me, The Chaser’s Election Desk, Tonightly with Tom Ballard and Squinters Season 1 & 2.
Producer Jess Murphy has several short films to her credit, with her latest The Complex screening at Flickerfest 2020. She is currently working as an associate producer for Warner Bros and has worked as a PA for Disney and Bloomtime Media.
GROUNDHOG NIGHT (13 minutes)
Synopsis: Gary’s so used to caring for his disabled daughter Jess, he can do it in his sleep. But when the in-laws come to stay, everyone will get a wake-up call.
Genre: Comedy/ Drama
Company: Bus Stop Films
Key Creatives: Emily Dash, Dianna La Grassa and Genevieve Clay-Smith
Creative Mentor/Producer: Writer Becca Johnstone For Emily Dash
Producer: Dianna La Grassa
Co-producer: Tracey Corbin Matchett
Writer: Emily Dash
Director: Genevieve Clay-Smith
Co-Director: Rawley Reynolds
Shooting location/s: Sydney
Key Creative Team Summary:
Emily Dash is a multi-disciplinary artist working across theatre, music and screen, collaborating with Australian Chamber Orchestra, PACT Collective, Can You See Me? Theatre, creating the shows The Waiting Room and Water Angel for the Sydney Opera House Studio. She was part of a multi-artform installation The Spinning Room as part of Front Up Emerge Exhibition at the Cutaway at Barangaroo. Her first short film was I Am Not A Work of Art was selected as part of Metro Screen’s Screenability Program, The Cards I’m Dealt was shortlisted for Tropfest in 2016, and she wrote The Milky Pop Kid which screened at Sydney Film Festival and globally in 2017. She has recently completed AFTRS Talent Camp 2019 with Pearly Gates, Screen Australia SBS Digital Originals with Odd Bods.
Dianna La Grassa
Dianna has a number of short film credits in documentary and drama and in 2019 produced VR project The Last Act. She works closely with the team at Bus Stop Films across the vocational and educational operation of the school.
Genevieve is a filmmaker, creative director, social entrepreneur, and passionate advocate for inclusive filmmaking. An award-winning writer/director, with her work showcased at the United Nations and at over 200 film festivals and events world-wide. She has over 10 years’ experience working in the creative industry across an array of diverse media platforms with her primary passion being film. One of Genevieve’s many passions is Bus Stop Films, which she co-founded and brought to national attention with her winning Tropfest entry Be My Brother (2009). She is the former CEO of Bus Stop Films and has built the organisation into a sustainable social enterprise.
Co-Director- Rawley Reynolds
Rawley is a long-standing Bus Stop Films student with extensive experience on film sets and television series. He has worked across a number of roles, predominately in the camera and 1st AD space and is looking to make his mark on Australian Film and Television.
Tracey- Corbin-Matchett is an inclusion and diversity champion, and CEO of Bus Stop Films. She has strong industry connections and lived experience of disability. She has produced many events including “Magda Szubanski in conversation with US writer, producer and director Rose Troche” and “Bruna Papandrea in conversation with Matilda Brown”.
Tracey has led many projects seeking social justice and greater inclusion and diversity, especially in the screen industry. She launched Women in Film and TV’s Raising Films Australia strategy, and previously worked with Screen NSW on strategic initiatives including Screenability, to foster employment opportunities for people with disability in the screen sector and She Shoots which focused on opening pathways for women in camera and sound roles.
Published: 21 January 2020